It’s the 1950s in Puerto Rico, and María, Fernanda, Yolanda, Rosa, and Chavela are fighting to live full lives in a country caught between tradition and imposed progress. As a new U.S.-backed government promises freedom and prosperity, the women face crushing societal rules and limited choices over their bodies and futures. This is the story of the birth control pill and the Puerto Rican women who risked everything for the chance to decide their own lives.
Wait Wait… Don’t Tell Me! is National Public Radio’s Peabody Award-winning comedy news quiz show. Host Peter Sagal leads a rotating panel of comedians, writers, listener contestants, and celebrity …
A searing examination of race, power, and social expectation, this explosive classic of American theatre surges with racial tension and sexual politics.
Written by BWBTC Ensemble Member Jillian Leff
October 11 – November 22, 2025
Thursday – Saturdays at 8:00 p.m.
Sundays at 3:00 p.m.
All performances will take place at The Edge Theater, 5451 …
Three ageless timeless deathless sisters in a basement in Bushwick. One of them falls in love. Another falls in hate. The third tries to keep the two from …
Follow Peter Pan and Tinkerbell to Neverland! The adventures are endless in a world of pirates and mayhem. Let your imagination fly to a place that allows you to NEVER GROW UP!
The Theatre for Young Audiences adaptation of the beloved Pixar movie FINDING NEMO, with music by award-winning songwriting team Kristen Anderson-Lopez and Robert Lopez (Frozen). Marlin, an anxious and over-protective clownfish, lives in the Great Barrier Reef with his kid Nemo, who longs to explore the world beyond their anemone home. But when Nemo is captured and taken to Sydney, Marlin faces his fears and sets off on an epic adventure across the ocean. With the help of lovable characters such as optimistic Dory, laid-back sea turtle Crush, and the supportive Tank Gang, Marlin and Nemo both overcome challenges on their journey to find each other and themselves.
Performance Run Time: 60–70 minutes, no intermission.
Originally conceived as a medium for Chicago-based multi-media artist and activist Damon Locks’s sample-based sound collage work, Black Monument Ensemble (BME) has evolved from a …
Stop us if you’ve heard this one before—an influential billionaire installs a crackpot president who hires incompetents into his cabinet and starts a war out of complete vanity. …
For one night only, a legendary band is reuniting. You pick the songs they play—the massive hits, obscure b-sides, and corporate sell-outs. Along the way, they’ll share the stories behind the songs and the untold history of the band’s epic rise and fall. Also...this band doesn’t exist. And all of this is made up.
Following a sold-out run at Chicago Shakespeare Theater, A.B.L.E.'s ensemble of disabled and neurodivergent actors brings their critically acclaimed adaptation of Frankenstein back to life at Theater Wit for a strictly limited engagement October 24-26. This original punk-inspired adaptation blends music, movement, and scenes devised a neurodiverse ensemble into a provocative exploration of ambition, isolation, and the balance between the head and the heart.
Jean isn’t a nerd, and she’s no dud—she’s simply… there. Until she answers a dead man’s ringing cell phone. That single act hurls her into a whirlwind of eccentric relatives, a drunken widow, a black-market underworld, a Johannesburg airport brawl, a laundromat in the afterlife, and maybe—just maybe—into the arms of the dead man’s brother… or the dead man himself.
Sarah Ruhl’s Dead Man’s Cell Phone isn’t just a surreal comedy about life, love, and death—it’s a sharp commentary on how technology drives and distorts us. Time bends, realities blur, and we’re swept through parallel worlds, peril, and peculiar romance—all by way of one very insistent ringtone.
Our longest-running sketch show is back again to scare you into drinking! DEATH TOLL is a sketch show with one simple rule: drink when someone on stage dies. You'll see torment by a sleep paralysis demon, a creepy doll come to life, and the consequences of your actions when you fall for a serial killer. All these sketches with plenty of death, comedy, and (fake) blood!
Misery follows successful romance novelist Paul Sheldon, who is rescued from a car crash by his “number one fan,” Annie Wilkes, and wakes up captive in her secluded home. While Paul is convalescing, Annie reads his latest book and becomes enraged when she discovers the author has killed off her favorite character, Misery Chastain. Annie forces Paul to write a new Misery novel, and he quickly realizes Annie has no intention of letting him go anywhere. The irate Annie has Paul writing as if his life depends on it, and it does.
PRODIGAL SON is John Patrick Shanley’s autobiographical coming-of-age story of a 15 year old attending a private New Hampshire prep school in the 1960s.
An investigator of supernatural phenomena interrupts the isolation of the remote and sinister Hill House to delve into the house’s morbid history. Joining him are three unacquainted guests, who are soon jolted by strange and eerie occurrences.
Classics get a fresh twist with The Lord Chamberlain's Men performng "Twelfth Night" at the ECC Arts Center on October 24. The UK's leading all-male theatre company, The Lord Chamberlain's Men brings Shakespeare's plays to life in authentic Elizabethan costume, infused with music, song, and spirited dance.
MacArthur Fellow and Grammy Award-winning mandolinist, singer, songwriter and composer Chris Thile, hailed as “an all-round musician” (The Guardian), brings his genre-spanning artistry to Symphony Center. This wide-ranging …