"Death of a Salesman" by Arthur Miller is an American tragedy about Willy Loman, an aging traveling salesman struggling to reconcile his life with the American Dream. His failing career, strained relationships, and fading grasp on reality lead to a mental and emotional breakdown. The play explores themes of disillusionment, family conflict, and the destructive nature of the American Dream. Our production centers the point of view on Linda Loman, as she plays the willing witness to the downfall of her once safe, nuclear family. Alongside the shortcomings of the Loman’s, we see the rise of a different kind of American family through the ensemble cast of Willy’s life. This production begins our season's long examination of economic injustice, beginning with the point of view from the withered American middle class. This production is directed by Scott Westerman.
Love, witchcraft, murder — it’s all packed into Symphonie fantastique, Berlioz’s thriller about a lovesick artist obsessed with a young actress. Zell Music Director Designate Klaus Mäkelä leads this …
After a merciless punishment, Medusa loses her way—and her memory—traveling to the Underworld. She awakens at The Crossroads of Erebus, the land between life and death. Beguiled by …
Three kids, an old woman with a shotgun, and a mysterious creek monster. Set firmly in the southern gothic tradition, Terry Guest’s OAK dives into the world of three Black kids as they navigate a community where children aren’t safe, and the adults fail to protect them. It’s 7pm, do you know where your children are?
Faced with the prospect of losing their ancestral home, a trio of BIPOC modern-day witches resurrect a witch from their coven to help them grapple with rapid change, surprising discoveries, and the newest neighbor in their home. This queer romantic comedy is about sisterhood, what we hold on to, and what’s worth our sacrifices and magic.
After three tours in Afghanistan, Jess returns home to a changed world, and body. With biting dark humor and virtual reality therapy, she begins to rebuild her life one puzzle piece at a time, confronting scars both seen and unseen in this powerful story of how beauty endures beneath the surface.
It’s 1978 and protests are breaking out all across Iran, encroaching on this suburb where a tight-knit circle of girlfriends plans weddings, trades dirty jokes, and tries to hang onto a sense of normalcy. But as the revolution escalates, each woman is forced to join the wave of emigration or face an equally uncertain future at home. With breathtaking humanity and cutting wit, Wish You Were Here chronicles a decade of life during war, as best friends forever become friends long lost, scattered and searching for home.
A searing examination of race, power, and social expectation, this explosive classic of American theatre surges with racial tension and sexual politics.
Three ageless timeless deathless sisters in a basement in Bushwick. One of them falls in love. Another falls in hate. The third tries to keep the two from …
For one night only, a legendary band is reuniting. You pick the songs they play—the massive hits, obscure b-sides, and corporate sell-outs. Along the way, they’ll share the stories behind the songs and the untold history of the band’s epic rise and fall. Also...this band doesn’t exist. And all of this is made up.
Jean isn’t a nerd, and she’s no dud—she’s simply… there. Until she answers a dead man’s ringing cell phone. That single act hurls her into a whirlwind of eccentric relatives, a drunken widow, a black-market underworld, a Johannesburg airport brawl, a laundromat in the afterlife, and maybe—just maybe—into the arms of the dead man’s brother… or the dead man himself.
Sarah Ruhl’s Dead Man’s Cell Phone isn’t just a surreal comedy about life, love, and death—it’s a sharp commentary on how technology drives and distorts us. Time bends, realities blur, and we’re swept through parallel worlds, peril, and peculiar romance—all by way of one very insistent ringtone.
Our longest-running sketch show is back again to scare you into drinking! DEATH TOLL is a sketch show with one simple rule: drink when someone on stage dies. You'll see torment by a sleep paralysis demon, a creepy doll come to life, and the consequences of your actions when you fall for a serial killer. All these sketches with plenty of death, comedy, and (fake) blood!
Three men chew the fat under an old, wide tree. In Hang Time, we peek into the interiority – the great loves and bitter blues – of Black men in America. Setting the romantic and the macabre in sharp relief, the work invites the viewer to envisage the living Black body triumphant over the legacy of violence that it holds. Written and directed by Pulitzer Prize Finalist Zora Howard in her directorial debut, Hang Time is a deeply moving and subversive work not to be missed.
Misery follows successful romance novelist Paul Sheldon, who is rescued from a car crash by his “number one fan,” Annie Wilkes, and wakes up captive in her secluded home. While Paul is convalescing, Annie reads his latest book and becomes enraged when she discovers the author has killed off her favorite character, Misery Chastain. Annie forces Paul to write a new Misery novel, and he quickly realizes Annie has no intention of letting him go anywhere. The irate Annie has Paul writing as if his life depends on it, and it does.
PRODIGAL SON is John Patrick Shanley’s autobiographical coming-of-age story of a 15 year old attending a private New Hampshire prep school in the 1960s.
If you didn’t know, Stir Friday Night, Chicago's longest-running AAPI comedy team, turns 30 this year!
To celebrate, we’re taking a look into the vault and putting together a …